Objections filed

Get your objections filed too

Wednesday saw the protest at City Chambers where the Save Leith Walk campaign intended to hand in their petition; objecting to the proposed demolition and redevelopment of Stead’s Place.

Getting objections filed from over 10,000 signatories didn’t go quite as-planned. It still worked out well in terms of publicity, giving the press a photo-op allowing them to run more coverage on the campaign.

The story even made The National as the petition jumped up to 12,000 signatories.

At the moment we have been collecting the signatures on a petition to stop the demolition at 106 to 154 Leith Walk. We have 12,200 signatures on the petition collected week after week, March through to August.
Similar processes have taken place across Edinburgh in relation to other threats to treasured buildings.
We feel the policies of the Planning Department do not adequately reflect the wishes of communities in respect to treasured buildings.

Ian Hood Quoted by The National

A few observations

I couldn’t hang around long since I planned to catch a friend performing up the road at 1:15pm. I did overhear a few interesting remarks. Since protesters were assembling at lunchtime quite a few council employees were coming and going.

I overheard one woman ask a colleague what was happening on Leith Walk. The unheard response elicited a deeply disappointed, “You’re joking, I love that place!” The pair were returning from lunch, so I’m sure the topic came up again inside and with a wider circle of colleagues.

Another council employee, taking a smoke break, asked me a little about the protest, planning applications, and objection process. He asked if I’d mind sharing my objections.

Instead, I opted to encourage him to look at saveleithwalk.org. I cribbed heavily from their list in putting together my detailed objection.

Filing it was much less fun. The council’s website didn’t like taking a three-page comment on a planning application. It’s an atrociously designed web portal, which nobody will ever get fired for. Anyone else filing a lengthy objection is better-off doing so by post.

My objections in full

Here’s the full ‘wall of text’ I’ve given the planning committee to wade through. They’re supposed to be the experts, so I’ve left them to match up the numerous points to policy.

Objections to the following planning applications:

18/04332/FUL and 18/04349/CON

On the basis these two applications relate to the same property, are from the same applicant(s), and involving identical plans for the demolition of a building within a conservation area, I believe the Planning Committee should treat the two as one.

Should the Planning Committee chose to treat these as separate applications, then – as the majority of objections are on the proposal first publicised – those people should be contacted seeking confirmation they did, or did not, wish to object to both.

My points upon which I believe a firm rejection of the application(s) should be made are as follows:

1. Failing to retain the existing red sandstone building

From the earliest point at which a proposal to build student accommodation on the site became public the development proposal has included demolition. Those early stages of consultation saw the response to the community’s insistence the building be retained met with a disingenuous response – that the red sandstone frontage would be “retained”.

The feasibility study into retention of the existing building presents a false dilemma: the developer’s wishes – a specific number of student rooms – cannot be met unless the existing building is demolished or seriously compromised in order to build above it; this is pitted against the alternative of an unacceptably high – ten storeys to be exact – structure which meets the developer’s wish-list of commercial objectives.

The 1930s sandstone and marble fronted block is a pre-war structure with a consistent Art-Deco influence throughout the design. The upper storey leaded windows are the most-obvious expression of this influence and similar to the design seen in the first floor of the Methodist Central Hall on Great Junction Street – one of the few other red sandstone buildings in Leith.

With good reason, the building is within a conservation area. It contributes positively to the character of Leith Walk. Whilst not currently listed, it is of sufficient architectural import to merit retention.

Further attempts to justify demolition are readily visible throughout the language used to describe the existing structure. “Dilapidated” appears several times in submitted documents. However, the state of the building – and number of tenants – is the responsibility of its owners. New leases have been unavailable for a considerable time, existing tenants were refused renewals – even when suggested on a month-by-month basis – and the boarding up of the unleased frontage all contribute to what appears an orchestrated effort to make the building appear derelict.

The building is structurally sound; it is located within a conservation area; the grounds for demolition appear arrived at by placing the horse in front of the cart; no good-faith effort to ensure the building’s continued use – despite its obvious utility to local businesses – appears to have been made. Nor has a competent case been made that the benefit to the public is best-served through demolition.

Thus, I believe the planning committee are obliged to reject this application.

2. Inappropriate design proposal

Given the frontage of the proposed development intrudes into the conservation area, there are multiple points upon which the proposed design fails to meet the requirements to merit planning permission.

The replacement is a poor pastiche of the various architectural styles evident along Leith Walk. This includes the suggestion the red sandstone frontage might be “retained” – when this actually means using red sandstone in part of the new construction. The overall design of the proposed development thus becomes a messy melange of architectural styles; hastily assembled on top of modern low-cost construction techniques.

Construction techniques which – due to likelihood of damaging the existing building – form part of the justification for demolition, and the proposal’s failure to retain the existing structure.

The proposal is for a monolithic structure. One where six storeys are compressed into a height constraint which sees classical tenemented buildings on Leith Walk only provide four storeys. This compounds the architectural mismatch with existing structures, highlighting the structure as a poor modern pastiche, designed based on economics before aesthetic.

Whilst unmentioned in the development proposal the site is visible from Calton Hill, within Edinburgh’s World Heritage Site. This image shows the site, and the painfully incongruous nature of existing student accommodation further up Leith Walk.

The proposed development will dominate the lower area of Leith Walk, standing out as an incongruous structure which is visible from miles away.

Given the proposal’s looming elevation, the frontage onto Leith Walk removes a welcome break in the height of structures along the road. Its construction will ‘hem in’ the road, depriving those on it of light. The dramatically less-hospitable feeling during the winter months will be exacerbated by the continuous line of buildings acting as a wind tunnel.

Thus, I believe the planning application should be rejected based on the proposal being an inappropriate design for the area.

3. Inappropriate usage/mix of space in development proposal

The primary objective of this development is to provide in excess of 500 student flats. However as has been made quite clear the intent of the University – who propose to lease the flats and hotel – is to use the accommodation for postgraduate students.

This is against the basic principles of concessions within planning legislation regarding purpose-built student accommodation. Such is intended for undergraduates living away from home for the first time; not for those who have already – at the very least – completed an ordinary degree.

This change in ‘target market’ for the accommodation also calls into question other aspects of the design – particularly the paucity of parking when proposing 500 flats for people in a demographic with at least 50% car ownership.

However, and of more import, the site of the proposed development is nowhere near any of the city’s main campus sites. Instead, it is sufficiently far from campuses and the city centre to require a development of its size have at least 50% of net floor area consist of residential accommodation.

Whilst some disingenuous debate regarding what may constitute net floor area could be undertaken, the planning statement from the developers openly admits to breaching this requirement in claiming 60% of the development is student accommodation.

An impartial assessment of the design proposal is likely to conclude the proportion of residential accommodation is closer to 25%, thus not even half of that required by planning rules.

On this basis, I believe the planning committee are obliged to reject this application.

Nobody’s obliged to waffle as much as I have, the two planning applications may be found here and here. Object to both if you support the campaign.

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Support Save Leith Walk

Suppport Save Leith Walk

Over the Festival period I’m doing my bit to support Save Leith Walk. Namely donating 10% from all print sales over the Festival to the campaign.

If you got here from my guerilla advertising? Consider taking a look over in the shop; Or checking out the portfolio links in the menu.

The block under-threat is known locally as the “New Shops”. Although, it dates back to when Leith Central Station was a busy hub – not an excuse to call a book of short stories ‘Trainspotting‘.

Regrettably the block is now in the hands of property developers and their City of London financiers. They’re out to make millions turning it into another soulless chunk of student accommodation. Money the local economy will see virtually none of. Except for the University of Edinburgh. Obviously they’ll be delighted to be filling it with fee-paying postgraduates desperate to have “Masters from Edinburgh University” on their CV. Despite some media reporting an MBA is “a waste of time and money“.

Why else would the University be offering to take a fivetwenty* year lease on a building before it even has planning permission? It’s extremely rare for the City of Edinburgh Council to refuse planning consent backed by the University; regardless of local opposition.

* [CORRECTION: The University are actually taking a 20 year lease on the student flats. Maybe by the end of that time there might be bits of Edinburgh University in Leith, there aren’t any I’m currently aware of.]

In the meantime, Drum Property Group are boarding up premises they’re unwilling to even offer short-term leases on. Sadly, and perhaps deliberately, making the block an eyesore. Unsurprisingly, they’re begging for “Community Art Proposals” as part of their – ahem – ‘Community Engagement’.

Regrettably this sort of ‘Artwashing‘ is likely all-too-familiar to anyone who’s seen gentrification in action.

[UPDATE] The Planning Application has now been submitted. The first word of the summary is – unsurprisingly – “Demolition“. There are 118 associated documents – making this a monster to properly oppose.

Other Leith Walk artworks.

Because it’s where I live, I’ve several pieces featuring the threatened buildings; plus other places on, or near, Leith Walk. You’ll find a few below.

Where Leith Walk becomes Elm Row, you’ll find Joseph Pearce’s bar. It’s a friendly pub, displaying some of my artworks. Regrettably I can’t offer a full 10% donation to Save Leith Walk on those; just on the prints – not the framing.

Drop me an email should you be interested in arranging a meeting there for a peek at my portfolio. Alternatively, you can catch me at Leith Depot. Going there helps support Save Leith Walk.

Other ways to support Save Leith Walk.

If you want to know what’s going on you could follow the campaign on twitter or Facebook. Both will alert you to fundraising gigs, stalls at local markets, or merchandise being sold to support the campaign. Unsurprisingly, there also a petition regarding the proposed demolition. You’ll find copies in many of the shops on Leith Walk.

Naturally, the best way to support Save Leith Walk is using the businesses facing loss of premises. Especially Leith Depot. You’ll find they’ve live music on most nights; obviously they’re going to be a bit lonely when all the other leases in the block expire and everything else is boarded up.

Admittedly, nobody expects Festival tourists to be buying from the Bed Shop. That’s a local shop; for local people. 😉

GuidoSupport Save Leith Walk
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Brothers of Justice, live at Brig Below

Brothers of Justice

It’s been a while since I did any video work, but here’s The Brothers of Justice performing at Brig Below. Shot the video on 16th of May this year.

If you like it, please do subscribe to my YouTube channel. I’ll figure out why the posted videos don’t show up in it – eventually.

I did take quite a lot of still photos too, but the lighting in Brig Below is a little low for my poor, old, EOS 400D. Unlike with the Tubes gig, I ended up binning most due to motion blur or being slightly off focus. Maybe next time I’ll get better shots of The Brothers of Justice. If it’s at Brig Below, I’d hope they might get a few footlights in. That would certainly sort the stage lighting issues out.

If you’re searching for other videos I’ve done, you can take a look over on YouTube. They’re all shot using a mobile phone. There’s only so much cleanup – audio or video – you can do with that as a source. I’m sure those with a good ear can hear the overcompression used by the phone on The Brothers of Justice footage. Personally, I’d like to get separate audio and marry the two. It’d certainly be easier than finding the funds to get a semi-professional camera. If you want to help there – hint, hint – the Shop is thattaway. 😉

GuidoBrothers of Justice, live at Brig Below
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Dublin Street corner

A Dublin Street Corner

… in Edinburgh, no less.

This particular Dublin Street corner is at the bottom of the steep hill down from York Place. An easy walk from where the Edinburgh trams currently terminate. Although, I would caution against the walk back. Especially if you’re lugging a suitcase.

Look. at the first excerpt. You’ll see a detail which immediately attracted me to the view – one of Edinburgh’s antique street lamps. And, from the visible sign, you can work out exactly where this view is.

With bare branches creeping into the top right, you might guess the time of year. However, the sky over this Dublin Street corner should be a dead giveaway. Provided you know what’s hung at the Scottish National Gallery every January.

Mind you, this isn’t the first piece I was told had “Turner skies”. When I put my piece Lights on Bellevue in for framing, I received that rather nice compliment. Along with a little enlightenment; I’d not known the National Gallery is required to hang their donated Turner collection during January.

I’ve yet to add that piece on the site. Dublin Street corner took priority. Since it’s currently on display. Pop into Joseph Pierce’s bar, at the bottom of Elm Row, for a look. I’ve several other pieces hanging there. Including a dramatic A1-sized poster print of Fettes’ College.

Later today I should have copies of this up in the shop. Firstly, I’ll be offering 12″ x 16″ fine art giclée prints. However, this is suitable for printing at much larger sizes. Get in touch if interested in a bespoke version. I’m happy to quote based on budget; and, will ship to almost anywhere.

The framed copy of Dublin Street corner on display in Joseph Pierce’s bar is priced at £120. Unframed copies of the signed limited edition (of 50) are £35.

GuidoDublin Street corner
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Framing Ramsay Garden, Castlehill

Ramsay Garden, Castlehill

I decided mounting a copy of my view of Ramsay Garden, Castlehill, would be a nice – ‘arty’ – birthday present to myself.

The print is hanging up to dry after spraying with UV-protective varnish. And, will get fitted to mount & frame later on.

You can tell just by looking these are expensive properties. Flats in Ramsay Garden, Castlehill, easily fetch £1 million nowadays. Hard to believe much of this was once student accommodation.

That ended in 1945, when the Town and Gown association sold Ramsay Lodge to the Bank of Scotland’s commercial arm.

Print Details

As usual, here’s some detailed extracts from the final print. Unfortunately, social media sites – such as Facebook – compress uploaded images. So, I always recommend visiting the site to see the best quality versions.

When the final piece is hung, I’ll upload more photos. Then, I need to get copies of the piece added to the shop. You probably don’t want to know the gory details; weighing bits of paper, and working out packaging dimensions.

GuidoFraming Ramsay Garden, Castlehill
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Cat’s Miaou

Dogs go woof …

And, The Cat’s Miaou is a uniquely pretty little shop on Leith Walk.

There was no denying the broad appeal of the window contents as I set up to take my photos last Saturday. Kids were dragging their parents over to point out the hares in the window. In fact, just about everybody walking past would at least slow down until they’d had a look.

Except, unsurprisingly, the traffic wardens.

This view of The Cat’s Miaou, on Leith Walk, was a “consolation prize”. I’d been intent on photographing somewhere nearby, but the wind was so strong I would’ve seriously risked my tripod tipping over.

Naturally, this was an only marginally less-blustery location. However, I got lucky. I might take another crack at this one sometime. See if I can possibly catch conditions where it’s sunny, but the pavements are still wet. That might-well allow me to produce the same oil-filmed pavements as on my Lindsay and Gilmour, or Valvona & Crolla, images from Elm Row.

Work interrupted …

This isn’t yet a finished piece. I got as far as completing enlargements, and combining that with the ‘secret sauce’ artistic layers. Then, I loaded up the printer with a sheet of A3 photo paper, and hit print. …

Naturally, two minutes into printing and the low ink warning for cyan started flashing. I’ve nine ink cartridges to hand. Of course, none are actually cyan. Sadly, it’ll be towards the end of the week before I can afford to think about ordering another set of eight.

GuidoCat’s Miaou
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Saturday’s puzzle answer

Saturdays’s puzzle answer

Anybody kicking themselves after the puzzler from this morning?

Well, it can hang on my wall for a couple of days before I decide if it gets added to the Leith & Edinburgh North portfolio. Should I decide it’s a reject, I’d probably go out and re-take the base photos

Either way, I’ll have a few test prints of this going begging. Should it survive scrutiny after hanging for a few days, I’ll likely run off a couple of production copies.

That’s assuming I don’t run out of the really expensive paper again.

For those who managed to guess, Saturday’s puzzle answer is Boda bar on Leith Walk. You can probably now be justifiably smug.

Artwork details

One of the beauties of the giclée pre-processing in creating my fine art prints is control over how much ink goes onto the paper. However, “Lots” is a bit of a simple answer. It’s dictated by the resolution of the final work; although, this isn’t as high-resolution as the printer runs.

Like many of my pieces, the finished print is on 300gsm  pure cotton watercolour paper. The digital original/artwork filesize is 1.3GB, giving a print image density around 600 dots per inch. Were it the output from a camera, it’d be comparable to over 60 megapixels. My target print size is 12″ x 18″, but you could easily run it off as large as A1. Any larger and you’d start to lose the depth.

The below excerpts are, from necessity, scaled down from the originals. You can still get a feel for the detail level, though.

GuidoSaturday’s puzzle answer
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Saturday puzzle

Saturday puzzle – Guess where?

Here’s a little Saturday puzzle for you. If you know where it is, maybe keep it to yourself for now?

This is from a piece I’ve nearly finished. I’m hoping putting this up as a little teaser perhaps might entertain. If you recognise the place in Edinburgh immediately, it’ll seem oh-so easy. But, if you’re going “I know where that is!” – but just can’t remember the place name – check back later.

In the meantime, share the post and see if any of your friends are equally stumped.

The answer is coming …

I’ll be posting the answer to my Saturday puzzle later this afternoon. Hopefully, by then, a few test prints should see the final piece tuned for printing.

Since it shouldn’t be much of a clue, the base photographs for this work were taken last Thursday. Then about six hours work on that day –  plus some overnight processing. Subsequently, I followed up spending most of Friday progressing the piece.

The digital enlargement process I use takes hours. So, I’d some spare time to blog up some old gig photos.

And, as this is my second post in as many days, navigating around the internals of the website is getting quicker and easier. But, reminds me I’ve lots of personal touches to add to it. No doubt, eventually, I’ll be asking Wonders of WordPress where a few obscure things are.

Or, how to use features. There certainly don’t seem to be any I can think of missing.

GuidoSaturday puzzle
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The Tubes, live in Edinburgh

The Tubes

I know, it was last November The Tubes played in Edinburgh. Sue me if I only just got round to processing the photos properly, mmkay?

There are tens of thousands of unprocessed photos from gigs in my archives. And, a bunch of much older ones – which are all freely licensed – over on Wikimedia Commons. The Tubes just got lucky, so to speak. I’m running a big enlargement for artwork and needed something to keep me occupied.

A couple of really good friends from Norway were spending a week in Scotland. Catching The Tubes at Edinburgh’s Liquid Room was a bonus for them. Apart from seeing some of Scotland’s scenery, they’d planned their trip around seeing Alice Cooper at the SSE Hydro in Glasgow.

Cooper’s support act was, of course, The Tubes. Who were also playing in Edinburgh the night before. If you’re interested in what the Alice Cooper gig was like, here’s Paul Whitelaw’s review for The Scotsman.

Just couldn’t help laughing at his “The Ken Dodd of Rock” quip.

I’d met up with Kirsten & Jeannie earlier, welcoming them to the Global Capital of Roadworks – also known as Edinburgh. We’d wandered around Leith, letting them see a side of the city many tourists barely know exists.

We met up for a meal and a few drinks before heading to the gig. It was a good one. After the following day’s Alice Cooper gig, they were picking up a hire car in Glasgow and heading north.

You’ll see in the gallery below why I’d only ever call gig photography a hobby. I know several professional photographers in Edinburgh. They make these shots look distinctly amateurish.

No lenses the size of lentils here!

If you like this post, please share it. If you’ve not already liked my Facebook page, please do so. And, don’t forget to pick “Follow” plus “Show posts from Fawkes That first” to stop Facebook vanishing things like this from your feed.

GuidoThe Tubes, live in Edinburgh
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Sofi’s bar – Upcoming exhibition

Sofi’s bar

Sofi’s bar, on Henderson Street, will be displaying a selection of my work throughout January. I’ve been looking forward to this for quite a while now, and hope to see a good turnout for the opening.

The exhibition will be a mix of images from Leith and Edinburgh. I’ve quite a few new pieces which only a select few have so far seen. And, I’m hoping to manage a rather nice capture of Sofi’s bar itself in time for the opening – provided I don’t get frostbite taking a good long exposure shot.

When that opening might be depends on when, precisely, the current exhibition in Sofi’s bar ends. As soon as I have that cleared up I’ll be updating this poster design and letting people know. It’s certainly worth a visit too, the pieces on display are quite striking.

Now, there’s one piece I’d encourage folk to make sure they get along to Sofi’s and see during January. And, it’s on canvas. Come and find out what Edinburgh looks like from the 13th Floor.

No need to look for the secret button in a superstitious ‘elevator’.

GuidoSofi’s bar – Upcoming exhibition
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